glazed porcelain

wood-fired in anagama

installation with multiple pieces

“I had 22 objects, each representing a foot – boot – puppet limb – unknown object, and suggesting movement. Simply because of this possibility of movement, the objects played the role of little persons which could exist in a community. At the same time they were abstract shapes useful for creating numerous patterns. My question was: how many different convincing and lively compositions can I create from these 22 objects? In how many directions can I push the story?
Also: what happens when I combine the photos of just 22 items and create a composition of many more?
The numbers of 1, 2, 3 and more became strong points in groupings. The directions of the items became aesthetic and communicative devices. The role of the symmetry was obvious. What Fun!”


The Pottery Studio at the
Slovenian Ethnographic Museum
Metelkova 2
Ljubljana, Slovenia


lenassieva @
+386 (0) 40 384 345

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